Thursday, April 28, 2011
Thursday, April 14, 2011
Define LFAS/Why Art Matters Discussion
Post a comment below, or visit my event on facebook:
http://www.facebook.com/event.php?eid=184367654942852&pending
We are looking forward to your response. Share with you friends and family.
http://www.facebook.com/event.php?eid=184367654942852&pending
We are looking forward to your response. Share with you friends and family.
Tuesday, April 12, 2011
Term1 Projects
Photo 9 Semester 2 Term 1
- Personify 1
- Composition Definitions- leading lines, rule of 3rds, repetition, framing, contrast)
- 5 Composition Photos
- Personification 2 (contact sheet label emphasis)
- Personification 2 (3 prints and comments)
- Pin Hole Photographer and Image
- Pin Hole Camera (3 prints and positive)
- Shutter Definitions
- JR Image & Responses.
- Personify 1
- 1st Experience
- 5 Breaking the Rules Photos
- Personification 2 (contact sheet)
- Personification 2 (3 prints and comments)
- Aperture Definitions
- 3 Aperture Pics (found and identify #)
- Aperture Contact
- Aperture Prints (3 images indentify DOF)
- JR Image & Responses
Wednesday, April 6, 2011
10s Studio Portraits
Light Source
One of the most important things of a good light source is its size. This determines what type of shadows you are going to have and also affects the type of reflection
Small light sources will produce a hard edged shadow, large light sources will produce a soft edged shadow.
Take as an example the most important light source in our life, the SUN. In a nice bright day with no clouds the sun will act as a small light source. On the other hand when it is a cloudy day the clouds will act as diffuser and the light source will not arrive from a direct single point but will be diffused through the clouds thus becoming a large light source and therefore producing soft edged shadows.
Lighting Angles
A person looking at an object sees each point of that object at a slightly different angle. If we sum up all these angles we would have a family of angles. The family of angles is very important thing to master as a photographer because it determines where we can place or where we cannot place our lights.
For this Studio Portrait Assignment, you are going to work with three basic lighting angles: Hatchet/Side Lighting, Rembrandt, and Glamour/Butterfly lighting. Below is an example of a Rembrandt Lighting set-up:
Find an example of each in your journal. Explain how the lighting set up is arranged to create this effect.
One of the most important things of a good light source is its size. This determines what type of shadows you are going to have and also affects the type of reflection
Small light sources will produce a hard edged shadow, large light sources will produce a soft edged shadow.
Take as an example the most important light source in our life, the SUN. In a nice bright day with no clouds the sun will act as a small light source. On the other hand when it is a cloudy day the clouds will act as diffuser and the light source will not arrive from a direct single point but will be diffused through the clouds thus becoming a large light source and therefore producing soft edged shadows.
Lighting Angles
A person looking at an object sees each point of that object at a slightly different angle. If we sum up all these angles we would have a family of angles. The family of angles is very important thing to master as a photographer because it determines where we can place or where we cannot place our lights.
For this Studio Portrait Assignment, you are going to work with three basic lighting angles: Hatchet/Side Lighting, Rembrandt, and Glamour/Butterfly lighting. Below is an example of a Rembrandt Lighting set-up:
Find an example of each in your journal. Explain how the lighting set up is arranged to create this effect.
Rembrandt Lighting |
Glamour Lighting |
Side Lighting |
Monday, April 4, 2011
JR- InsideOut Project
JR, a semi-anonymous French street artist, uses his camera to show the world its true face, by pasting photos of the human face across massive canvases. At TED2011, he makes his audacious TED Prize wish: to use art to turn the world inside out. Learn more about his work and learn how you can join in at:
insideoutproject.net.
http://www.jr-art.net/
Part 1
Finally check out JR's InsideOut site and find Sarah R. See what she says about the project and one other, make a note of it in your journal and add aphoto of your favourite InsideOut participant.
Part 3
Now consider and discuss the following in your journal add your response to the Facebook group (I will setup this weekend.):
insideoutproject.net.
http://www.jr-art.net/
Part 1
Choose one of the following topics from JR’s InsideOut Project. Find an image from the series that you are noting and add the photo(s) and your comment in your journal/blog:
- What was the initial intention of JR’s first installation project? Was it effective? Why or why not? Give examples of his work and explain its impact on the community.
- Select an image, or series that impacted you, explain how it has impacted you and the community that it was created for.
- How does JR’s art make a difference? Site a specific series and specific images. Explain the reason for the images and potential impact that it has on the community.
Finally check out JR's InsideOut site and find Sarah R. See what she says about the project and one other, make a note of it in your journal and add aphoto of your favourite InsideOut participant.
Part 3
Now consider and discuss the following in your journal add your response to the Facebook group (I will setup this weekend.):
- Define your school community.
- What do you value about your school community?
- Why does art matter?
- How would you express this visually?
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